Hi Charles.. It adds weight, but your audio guy can give you a standard wireless (http://www.bhphotovideo.com/c/produ..._EW_100_ENG_G3_A_Evolution_G3_100_Series.html) Then attach to the audio in the front of the camera (http://www.amazon.com/Mediabridge-S...qid=1387027908&sr=8-9&keywords=Mini+3.5+cable) Both of those are examples.. I'm sure you can get a shorter mini cable. Your item you found seems to do timecode.. I didn't read much further on if it does audio as well?
I've used six pairs of the Sennheiser ew 100 ENG G3 kit for the past four years and it works well (even the "brick" transmitter on the end of a boom with a Senn 416). What I've learned over the past few years is to use one transmitter, but have two separate receivers tuned to the same transmitter frequency and record the audio on two separate devices (e.g. camera plus Sound Devices 788T or even Zoom H4n -- occasionally you'll still get a noise glitch picked up by one receiver, but rarely by both, so you can cut over to the second audio recording and save a scene otherwise trashed by a audio glitch. Andy.
Cheap: http://www.amazon.com/Olympus-14503...id=1388862478&sr=8-4&keywords=olympus+3.5+mic Cheaper: http://www.amazon.com/Olympus-ME-52...id=1388862478&sr=8-1&keywords=olympus+3.5+mic Cheapest: http://www.amazon.com/HDE®-Mini-3-5mm-Flexible-Microphone/dp/B00284VD02/ref=zg_bs_3015406011_11 I assume you're doing things normal with split system sound and only need a scratch track.
casey did you trie those mic on an epic yet //i m not sure you get some sound // i tried a fiew and they did not worked ++
if i use wireless mics which feed straight into the red epic . am i able to monitor them through the teredek wireless bolt system?